🇨🇦🇩🇪🇨🇳张殿李🇨🇳🇩🇪🇨🇦

My Dearest Sinophobes:

Your knee-jerk downvoting of anything that features any hint of Chinese content doesn’t hurt my feelings. It just makes me point an laugh, Nelson Muntz style as you demonstrate time and again just how weak American snowflake culture really is.

Hugs & Kisses, 张殿李

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Joined 1 year ago
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Cake day: November 14th, 2023

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  • The Chinese market is huge, yes, but increasingly turning away from Hollywood productions to homegrown ones. In 2025 for example 哪吒2 (Nézhā 2) broke scored over $2 billion at the box office, with a record-smashing $1.96 billion of that coming domestically. By way of comparison Captain America 4 only managed $14.4 million so far, a dramatic drop from 2016’s Captain America 3 returns of $180 million in 2016.

    For reference, even CA3’s $180 million is an order of magnitude smaller than Nezha 2. CA4’s is two orders of magnitude smaller.

    Now this is still true: China’s theatre-going audience, estimated at over half a billion people, is larger than the entire population of the USA. It’s still a hugely important market. But, for example, in 2024 the Chinese box office was estimated at ~6 billion dollars total: and 80% of that went to domestic films. The best-performing foreign film of 2024 (Dune 2) only made $48 million, ranking it about 8th. 7th was 维和防暴队 (Wéihé Fángbàoduì/Formed Police Unit) and it made over $120 million.

    I’m pretty sure that the Chinese market for Hollywood films is vanishing.
















  • A modern day police procedural, likely using either CORPS (if I want crunch) or FATE (if I want drama). Think something like Law & Order without the fascist apologia (but WITH Jerry Orbach!) expanded a bit to include peripheral characters including the criminals, the families of both sides, etc.

    And then the world ends.

    Well, not quite ends, but there’s a rather sudden drop in the standard of living as the half of the world facing the sun gets burned to a crisp, in effect, while the ensuing massive wave of fire and plasma scorches most of what is left. Only very small portions of the world survive (and that only barely). Nobody IC will know how or why it happened (I naturally will—it’s one of the scenarios taken from CORPS Apocalypse) but when it does, the characters will have to face living in a world where most of humanity is dead, the trappings of civilization are gone (most important of those being the supply chains that keep cities alive!) and all that’s left are the buildings and a rapidly-dwindling supply of essentials.

    I tried doing this once when some players were saying they wanted a campaign that would surprise them. And surprise them it did, but apparently this was not the kind of surprise they were looking for. I want to try it again with players who will be strongly warned in advance that the campaign will go completely off the rails and change genre after a few sessions of play establishes their characters, their personalities, their relationships, etc.