I’m lightly active in the headphone enthusiast space. Even in the more light-hearted circles there is still an elevated amount of placebo bullshit and stubborn belief in things that verifiably make zero difference.
It’s rather fascinating in a way. I’ve been in and out of various hobbies over the course of my life but there is just something about audio that attracts an atmosphere of wilful ignorance and bad actors that prey on it.
A lot of it comes down to a mix of snobbishness, sunk cost fallacy, and tribalism.
You can’t admit that your $5,000 pair of headphones sound exactly the same as a $300 pair, because:
You’d no longer be able to pretend that you’re better than the people who have $300 headphones.
You’d have to admit to yourself that you completely wasted $4,700.
You’d have to realize that the tight-knit community you’ve formed with other $10k headphone people isn’t really bettor or even really distinct from communities of people with $300 headphones.
I’ve been in the audio enthusiast community for like 17 years now. When I was fresh, the internet commentators had me thinking there was some audio heaven in the high end compared to the mid range priced gear. Now I know better and the gear community is not so high end price evangelicals like it used to be. I feel like there was a before and after the $30 Monoprice DJ headphones and the wave of headphones since. Then especially IEMs. Once ChiFi really got rolling with IEMs and amplifiers and DACs, $1000+ snake oil salespeople got to deal in a way more competitive market
Same with speakers. Internet changed everything. No more at the whim of specialty audio stores stock and Best Buys. Now you got the whole worlds amount of speaker brands at a click of a finger plus craigslist/offerup. Also again ChiFi amplifiers and DACs. Also improvements in audio codecs whether for wireless or not. Bluetooth audio was awful until it stopped being awful as standards improved
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys. Headphone and speaker communities these days seem a lot more self aware and steeped in self-deprecating humor over the cost, diminishing returns, placebo, snake oil they live in today compared to 17 years ago. I want my digital audio cables endpoints plated with the highest quality diamonds to preserve the zeros and ones. No lab diamonds. Must be natural providing the warmth only blood diamonds that excel in removing negative ions. I treat my room with the finest pink himalayan salt sound absorbent wall panels to deal with the most problematic materials used by homebuilders. Authentic himalayan salt has been shown to be some of the highest quality material in filtering unwanted noise and echos while leaving clean pure audio bliss
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys.
The clamour for lossless/high-res streaming is the audiophile community in a nutshell. Literally paying more money so your brain can trick you into thinking it sounds better.
Like many hobbies, it’s mainly a way to rationalize spending ever increasing amounts on new equipment and source content. I was into the whole scene for a while, but once I had discovered what components in the audio chain actually improve sound quality and which don’t, I called it quits.
The push for lossless seems more like pushback on low bit rate and reduced dynamic range by avoiding compression altogether. Not really a snob thing as much as trying to avoid a common issue.
The video version is getting the Blu-ray which is significantly better than streaming in specific scenes. For example every scene that I have seen with confetti on any streaming service is an eldritch horror of artifacts, but fine on physical media, because the streaming compression just can’t handle that kind of fast changing detail.
It does depend on the music or video though, the vast majority are fine with compression.
Usually when I hear someone swear by lossless audio one service provides compared to another, I swear the reality is either placebo or one service is just using a better masterering of an album compared to another. The service that has on their service the better version album mix and mastering. Like they could serve it as 192kbps MP3 and sound better than a lossless encoded album version with the non ideal mix and mastered release
Oh, 100%. I actually tested this by recording bit perfect copies from different streaming services and comparing them using Audacity.
I found that they only way to hear a difference between the same song played on two different platforms was 1) if there was a notable difference in gain or 2) if they were using two different masters for the same song. If two platforms were using the same master version, they were impossible to tell apart in an ABX test.
All of this is to say that the quality of the mastering is orders of magnitude more important than whether or not a track is lossy or lossless, as far as audible audio quality goes.
Not here to argue I can hear the difference, because I can’t. But in audio collecting where the size and burden of even large lossless files isn’t much different from lossy files, why care? I download the flac files and compress upon delivery to the client where the space might be of a larger concern.
I couldn’t agree more. I got interest in higher-end audio equipment when I was younger, so I went to a local audio shop to test out some Grado headphones. They had a display of different headphones all hooked up to the “same” audio source.
60x vs 80x sounded identical. 60x to 125x, the latter had a bit more bass. 125x to 325x, the latter had a lot more bass and the clarity was a bit better. Then I plugged the 60x into the same connection they had the 325x in. Suddenly the 60x sounded damn similar. Not quite as good, but the 60x was 1/3 the cost and the 325x sure as hell didn’t sound 3x better. They just had the EQ set better for it.
Picked up a bose system test cassette once. It sounds amazing at first listen on anything because they overhype the high and low end, much like most bad modern music. And its actually fatiguing over time and stresses people out. Big reason I hate a lot of (popular) modern music is the over hyped non natural eq.
Friends will show me songs and they grind on my ears with that unnautural 3k boost to make everything “radio sounding”, gross. I don’t want modern radio polish (and the sampled kick drums, awful) I want good sound.
Commodores, night shift, 1985, one of the best sounding albums of all time because they knew what they were doing. And funnily enough one of the first digital tape recordings on a Mitsubishi! Also the nightfly.
Yeah sadly. Studies have shown modern music causes fatigue and I think some people at least realize that now. Radio rock is always going to be a sausage waveform. Gotta go underground for good stuff usually.
I’m lightly active in the headphone enthusiast space. Even in the more light-hearted circles there is still an elevated amount of placebo bullshit and stubborn belief in things that verifiably make zero difference.
It’s rather fascinating in a way. I’ve been in and out of various hobbies over the course of my life but there is just something about audio that attracts an atmosphere of wilful ignorance and bad actors that prey on it.
A lot of it comes down to a mix of snobbishness, sunk cost fallacy, and tribalism.
You can’t admit that your $5,000 pair of headphones sound exactly the same as a $300 pair, because:
You’d no longer be able to pretend that you’re better than the people who have $300 headphones.
You’d have to admit to yourself that you completely wasted $4,700.
You’d have to realize that the tight-knit community you’ve formed with other $10k headphone people isn’t really bettor or even really distinct from communities of people with $300 headphones.
I’ve been in the audio enthusiast community for like 17 years now. When I was fresh, the internet commentators had me thinking there was some audio heaven in the high end compared to the mid range priced gear. Now I know better and the gear community is not so high end price evangelicals like it used to be. I feel like there was a before and after the $30 Monoprice DJ headphones and the wave of headphones since. Then especially IEMs. Once ChiFi really got rolling with IEMs and amplifiers and DACs, $1000+ snake oil salespeople got to deal in a way more competitive market
Same with speakers. Internet changed everything. No more at the whim of specialty audio stores stock and Best Buys. Now you got the whole worlds amount of speaker brands at a click of a finger plus craigslist/offerup. Also again ChiFi amplifiers and DACs. Also improvements in audio codecs whether for wireless or not. Bluetooth audio was awful until it stopped being awful as standards improved
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys. Headphone and speaker communities these days seem a lot more self aware and steeped in self-deprecating humor over the cost, diminishing returns, placebo, snake oil they live in today compared to 17 years ago. I want my digital audio cables endpoints plated with the highest quality diamonds to preserve the zeros and ones. No lab diamonds. Must be natural providing the warmth only blood diamonds that excel in removing negative ions. I treat my room with the finest pink himalayan salt sound absorbent wall panels to deal with the most problematic materials used by homebuilders. Authentic himalayan salt has been shown to be some of the highest quality material in filtering unwanted noise and echos while leaving clean pure audio bliss
The clamour for lossless/high-res streaming is the audiophile community in a nutshell. Literally paying more money so your brain can trick you into thinking it sounds better.
Like many hobbies, it’s mainly a way to rationalize spending ever increasing amounts on new equipment and source content. I was into the whole scene for a while, but once I had discovered what components in the audio chain actually improve sound quality and which don’t, I called it quits.
The push for lossless seems more like pushback on low bit rate and reduced dynamic range by avoiding compression altogether. Not really a snob thing as much as trying to avoid a common issue.
The video version is getting the Blu-ray which is significantly better than streaming in specific scenes. For example every scene that I have seen with confetti on any streaming service is an eldritch horror of artifacts, but fine on physical media, because the streaming compression just can’t handle that kind of fast changing detail.
It does depend on the music or video though, the vast majority are fine with compression.
Usually when I hear someone swear by lossless audio one service provides compared to another, I swear the reality is either placebo or one service is just using a better masterering of an album compared to another. The service that has on their service the better version album mix and mastering. Like they could serve it as 192kbps MP3 and sound better than a lossless encoded album version with the non ideal mix and mastered release
Oh, 100%. I actually tested this by recording bit perfect copies from different streaming services and comparing them using Audacity.
I found that they only way to hear a difference between the same song played on two different platforms was 1) if there was a notable difference in gain or 2) if they were using two different masters for the same song. If two platforms were using the same master version, they were impossible to tell apart in an ABX test.
All of this is to say that the quality of the mastering is orders of magnitude more important than whether or not a track is lossy or lossless, as far as audible audio quality goes.
Not here to argue I can hear the difference, because I can’t. But in audio collecting where the size and burden of even large lossless files isn’t much different from lossy files, why care? I download the flac files and compress upon delivery to the client where the space might be of a larger concern.
I couldn’t agree more. I got interest in higher-end audio equipment when I was younger, so I went to a local audio shop to test out some Grado headphones. They had a display of different headphones all hooked up to the “same” audio source.
60x vs 80x sounded identical. 60x to 125x, the latter had a bit more bass. 125x to 325x, the latter had a lot more bass and the clarity was a bit better. Then I plugged the 60x into the same connection they had the 325x in. Suddenly the 60x sounded damn similar. Not quite as good, but the 60x was 1/3 the cost and the 325x sure as hell didn’t sound 3x better. They just had the EQ set better for it.
Picked up a bose system test cassette once. It sounds amazing at first listen on anything because they overhype the high and low end, much like most bad modern music. And its actually fatiguing over time and stresses people out. Big reason I hate a lot of (popular) modern music is the over hyped non natural eq.
Friends will show me songs and they grind on my ears with that unnautural 3k boost to make everything “radio sounding”, gross. I don’t want modern radio polish (and the sampled kick drums, awful) I want good sound.
Commodores, night shift, 1985, one of the best sounding albums of all time because they knew what they were doing. And funnily enough one of the first digital tape recordings on a Mitsubishi! Also the nightfly.
Yeah and the loudness wars. It never ended eh.
Yeah sadly. Studies have shown modern music causes fatigue and I think some people at least realize that now. Radio rock is always going to be a sausage waveform. Gotta go underground for good stuff usually.