Filoni and Favrau have learned how to leverage the development of the personal relationship of fandom and tie it to the development of quality long-form storytelling in prestige television for streaming. And they’re passionate about the franchise and material.
Terry Matalis showed a great capacity for this when he took over PIC S03, as have the showrunners/producers of Prodigy, especially how they’ve held their shit together during the whole debacle that’s been going on with the production of that show. Ya know… Trek’s greatest asset WRT storytelling was decades of both the 26 episode/season allowance plus the episodic format. It gave so much breathing room to explore the Trek universe and to develop characters. Today, we have galaxy-sized budgets, but the space and time we have to tell these stories has shrunk so much that Trek hasn’t really adapted to it still. And it has suffered for it.
Trek needs to remember that it’s relationship with its core fandom is one of its greatest assets and to leverage that to start developing much more personal stories and storylines rather than flagrantly flipping us the bird to chase ever-diminishing profits by producing shows that are all flash and no substance, run and written by people with no knowledge of Trek, if not open contempt for it.
@gregorum Great analysis!
Filoni and Favrau have learned how to leverage the development of the personal relationship of fandom and tie it to the development of quality long-form storytelling in prestige television for streaming. And they’re passionate about the franchise and material.
Terry Matalis showed a great capacity for this when he took over PIC S03, as have the showrunners/producers of Prodigy, especially how they’ve held their shit together during the whole debacle that’s been going on with the production of that show. Ya know… Trek’s greatest asset WRT storytelling was decades of both the 26 episode/season allowance plus the episodic format. It gave so much breathing room to explore the Trek universe and to develop characters. Today, we have galaxy-sized budgets, but the space and time we have to tell these stories has shrunk so much that Trek hasn’t really adapted to it still. And it has suffered for it.
Trek needs to remember that it’s relationship with its core fandom is one of its greatest assets and to leverage that to start developing much more personal stories and storylines rather than flagrantly flipping us the bird to chase ever-diminishing profits by producing shows that are all flash and no substance, run and written by people with no knowledge of Trek, if not open contempt for it.